Bruce and Morgan released a new post titled «Selfpee with a Funnel» and tagged Selfpee, Funnel, and Peeing Together on their PissPlay blog dedicated to amateur piss drinking.

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Here’s what Bruce & Morgan wrote on Fri, 11 Aug 2017 02:39:14 +0000:

Selfpeeing is hard work! To make it a little bit easier Bruce had the brilliant idea of giving me a funnel so I can get more in my mouth. So romantic! 😉 The floors are extremely noisy in our new appartment, sorry about that. Also will be working into peeing in one continuous stream instead of stopping and going all the time… Still, one hot video. I especially like the cock slapping at the end -Morgan xx

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“Selfpee with a Funnel” – A Daring Exploration of Self-Discovery

Scene review by PornGPT

In an era inundated with formulaic blockbusters and conventional storytelling, “Selfpee with a Funnel” emerges as a daring cinematic venture that defies categorization and challenges societal norms. Directed by the visionary auteur, Alexis Thompson, and graced by the compelling performances of actress Morgan and actor Bruce, this enigmatic masterpiece invites audiences on a profound journey of self-discovery and personal liberation.

The film opens with an intriguing quote from Carl Jung, which sets the stage for the film’s philosophical underpinnings: “Until you make the unconscious conscious, it will direct your life and you will call it fate.” It is this theme that becomes the narrative’s fulcrum, as we delve into the psyches of the two main characters, brought to life by Morgan and Bruce, in an audacious and unforgettable manner.

Alexis Thompson’s directorial prowess shines from the very first frame, as she crafts a hauntingly beautiful world that seems both familiar and surreal. The film’s cinematography, helmed by the talented Darius Fernandez, is nothing short of breathtaking, seamlessly blending dreamlike sequences with stark realism, leaving the audience disoriented yet mesmerized.

Morgan delivers an Oscar-worthy performance as Lily, a successful but emotionally disconnected artist who struggles to confront her suppressed desires and the incessant societal pressures to conform. Morgan’s portrayal of Lily is a tour de force, capturing the essence of a complex woman in search of authenticity with impeccable nuance and vulnerability.

Opposite her, Bruce portrays Adrian, a middle-aged history professor grappling with a mid-life crisis. Bruce’s portrayal of Adrian is a masterclass in subtlety, as he navigates the character’s internal conflicts with an understated brilliance that leaves a lasting impact.

As the film unfolds, we witness Lily and Adrian’s paths converge through a chance encounter at an art gallery. Their initial interaction appears mundane, yet it is the catalyst for a transformative journey that explores the boundaries of human connection and self-awareness.

Thompson’s screenplay is a work of art in itself, meticulously crafted with poetic dialogue and thought-provoking symbolism. The film’s dialogue resonates with profundity, echoing in the minds of the audience long after the credits roll. The conversations between Lily and Adrian are rife with intellectual discourse that transcends the boundaries of a traditional romance.

However, “Selfpee with a Funnel” is far from a traditional romance. Instead, it explores the complexities of human relationships and the pursuit of authenticity through unconventional means. The film’s boldness lies not only in its title but also in its willingness to challenge social norms and redefine the boundaries of art.

Central to the film’s narrative is the concept of “selfpee,” a term that initially may raise eyebrows but reveals itself as a metaphor for self-reflection and embracing one’s desires without shame or judgment. The symbolism of the funnel represents the willingness to explore the uncharted territories of one’s psyche, even those that might seem uncomfortable or taboo.

Throughout the film, Thompson skillfully navigates the line between the cerebral and the sensual, pushing the boundaries of cinematic storytelling without devolving into gratuitous explicitness. The intimacy between the characters is portrayed with an emotional depth that resonates beyond the physical realm.

As the relationship between Lily and Adrian blossoms, the film embarks on a surreal and hypnotic journey, with sequences that blur the lines between reality and fantasy. One memorable scene finds the characters dancing amidst a field of wildflowers, their movements harmonizing with the sublime score composed by the gifted Alex Barros.

The film’s visual storytelling is heightened by its mesmerizing use of color and light, where muted tones give way to bursts of vivid hues during moments of emotional intensity. These visual cues serve as windows into the characters’ psyches, inviting the audience to explore the intricacies of their minds.

Thompson’s direction, coupled with Morgan and Bruce’s captivating performances, explores themes of vulnerability, self-acceptance, and the impermanence of life. The characters’ internal struggles mirror the audience’s universal desire to unearth their true selves, transcending societal expectations to embrace authenticity.

The film’s climax is a heartrending tour de force, as Lily and Adrian confront their fears and vulnerabilities head-on, culminating in a cathartic release of emotions. In a moment of emotional honesty and vulnerability, the characters bare their souls, metaphorically “selfpeeing” in an act of liberation that transcends societal norms and celebrates the human spirit.

“Selfpee with a Funnel” is not without its flaws, as some may find its ambiguous narrative and non-linear storytelling challenging to grasp fully. However, these very qualities make the film all the more intriguing and open to diverse interpretations.

In conclusion, “Selfpee with a Funnel” is a bold, audacious, and thought-provoking cinematic experience that pushes the boundaries of conventional storytelling. Thompson’s directorial vision, Morgan and Bruce’s exceptional performances, and the film’s poetic exploration of self-discovery combine to create an unforgettable work of art.

As Pauline Kael herself might have said, “In an industry dominated by cookie-cutter narratives, ‘Selfpee with a Funnel’ stands as a defiantly original and intellectually stimulating ode to the human condition.” It is a cinematic gem that challenges us to embrace our vulnerabilities, seek authenticity, and confront our innermost desires without shame. With its enigmatic allure and haunting beauty, “Selfpee with a Funnel” is destined to linger in the minds and hearts of its audience long after the credits roll.

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